Ray Milland

 Ray Milland, born Alfred Reginald Jones in Wales, began his career far from the glitz of Hollywood, first serving in the British Household Cavalry. With his dashing looks and natural charisma, Milland transitioned from military life to modeling and then acting, eventually making his way to Hollywood in the 1930s. He initially played supporting roles but quickly demonstrated a versatile talent that made him a dependable leading man. His early roles included light romantic comedies and dramas, but it was his performance in The Lost Weekend (1945) that marked a turning point. His portrayal of a struggling alcoholic earned him the Academy Award for Best Actor, cementing his reputation as a serious dramatic talent.

Milland enjoyed a long and prolific career that spanned over four decades. After his Oscar win, he continued to work steadily, with standout performances in The Big Clock (1948), Dial M for Murder (1954), and It Happens Every Spring (1949). Not limited to acting, Milland also explored directing, helming several films including A Man Alone (1955) and Panic in Year Zero! (1962). He adapted well to television during the 1950s and '60s, starring in series such as Meet Mr. McNutley and Markham. His sharp features, commanding presence, and intelligent screen persona made him a natural for a range of roles, from hero to villain, and he earned acclaim for his ability to disappear into a character.

Though he never recaptured the critical peak of The Lost Weekend, Milland continued working well into his seventies, showing remarkable endurance and passion for the craft. His dedication to acting remained evident, even as he transitioned into supporting roles later in life, including appearances in sci-fi and horror films such as Frogs (1972) and The Thing with Two Heads (1972). Milland passed away in 1986, the same year as Cary Grant, at the age of 81. He is remembered as an actor who gracefully balanced artistic integrity with commercial success, bringing gravitas and elegance to every role he played.