Miracle on 34th Street


CHRISTMAS CLASSIC MOVIE
Miracle on 34th Street opened in NYC at the Roxy Theatre on June 5, 1947
"MIRACLE on 34th STREET"
Original movie shot in black & white. In 1985, it became one of the first full-length black and white films to be colorized.
Miracle on 34th Street was first released on VHS and LaserDisc in 1987.
The movie has become a Christmas television classic presented each year.
Miracle on 34th Street (initially released as The Big Heart in the United Kingdom) is a 1947 American Christmas comedy-drama film released by 20th Century Fox, written and directed by George Seaton and based on a story by Valentine Davies.
It stars Maureen O'Hara, John Payne, Natalie Wood, and Edmund Gwenn. The story takes place between Thanksgiving Day and Christmas Day in New York City, and focuses on the effect of a department store Santa Claus who claims to be the real Santa. The film has become a perennial Christmas favorite.
Miracle on 34th Street won three Academy Awards: Gwenn for Best Actor in a Supporting Role, Valentine Davies for Best Writing, Original Story, and George Seaton for Best Writing, Screenplay. The film was nominated for Best Picture, losing to Gentleman's Agreement. In 2005, the film was selected for preservation in the United States
National Film Registry by the Library of Congress as being "culturally, historically or aesthetically significant". The Academy Film Archive preserved Miracle on 34th Street in 2009.
Davies also wrote a short novelization of the tale, which was published by Harcourt Brace simultaneously with the film's release.
Plot
Kris Kringle is indignant to find that the man assigned to play Santa in the annual Macy's Thanksgiving Day Parade is intoxicated. When he complains to event director Doris Walker, she persuades Kris to take his place. He does so well that he is hired to play Santa at Macy's New York City store on 34th Street.
Ignoring instructions from the toy department head, Mr. Shellhammer, to recommend overstocked items to undecided shoppers, Kris directs one woman to another store to fulfill her son's Christmas request. Impressed by Kris's honesty and helpfulness, she informs Shellhammer that she will now become a loyal Macy's customer.
Attorney Fred Gailey, Doris's neighbor, takes the young divorcƩe's daughter Susan to see Santa. Doris has raised her to not believe in fairy tales, but Susan is shaken after seeing Kris speak Dutch with a girl who does not know English. Doris asks Kringle to tell Susan that he is not Santa, but he insists that he is.
Worried, Doris decides to fire him, but Kris has generated so much positive publicity and goodwill that the store’s owner promises bonuses. To alleviate Doris's misgivings, Granville Sawyer is asked to administer a "psychological evaluation" and recommends Kris’ dismissal. Meanwhile Susan shows Kris a magazine photo of her dream house and tells him she wants it for Christmas; reluctantly he promises to do his best.
In the company cafeteria, young employee Alfred tells Kris that Sawyer convinced him that he is unstable simply because he is kind-hearted. Kris immediately goes to confront Sawyer, eventually striking him on the head with an umbrella. Sawyer exaggerates his pain to have Kris confined to Bellevue Hospital. Tricked into cooperating, and believing Doris to be in on the deception, Kris deliberately fails his examination and is recommended for permanent commitment. However, Fred persuades Kris not to give up.
At a hearing before Judge Henry X. Harper, District Attorney Thomas Mara gets Kris to assert that he is Santa Claus and rests his case, asking Harper to rule that Santa does not exist. In private, Harper's political adviser, Charlie Halloran, warns him that doing so would be disastrous for his upcoming reelection bid. Harper buys time by hearing further evidence.
Fred calls Macy as a witness and persuades him to admit that he does believe in Santa. On leaving the stand, Macy fires Sawyer. Next, Fred calls Mara's own young son, who testifies that his father told him that Santa was real. Mara has to concede the point, but goes on to demand that Fred prove that Kris is "the one and only" Santa Claus on the basis of some competent authority by the following day.
Meanwhile, Susan writes Kris a letter to cheer him up, which Doris also signs. When a New York Post Office mail sorter sees Susan's letter, which is addressed to Kris at the New York courthouse, he suggests delivering all of the dead letters addressed to Santa Claus to Kris. As court resumes, Fred is told of the delivery of mailbags to the courthouse; he argues that the Post Office—a branch of the U.S. federal government—has acknowledged that Kris is the one and only Santa Claus by delivering the letters. When the judge insists on seeing them, Fred has them dump bag after bag on Harper's desk. Half concealed behind them, Harper dismisses the case.
On Christmas morning, Susan loses faith in Kris when he admits he was not able to get her the house she wanted. However, after Kris offers Fred and Doris a route home that avoids traffic, Susan sees her dream house with a "For Sale" sign in front. Demanding that Fred stop the car, she joyfully runs into the house, exclaiming "Mr. Kringle IS Santa Claus!" Fred learns that Doris had encouraged Susan to have faith and suggests they purchase the house. He then boasts that he must be a great lawyer since he proved an eccentric old man was Santa. However, when he and Doris spot a cane in the house that looks just like Kris's, he is not so sure.
Miracle on 34th Street was shot on location in New York City, with the Macy's Thanksgiving Day Parade sequences filmed live while the 1946 parade was happening. "It was a mad scramble to get all the shots we needed, and we got to do each scene only once," Maureen O'Hara recalled in her memoir. "It was bitterly cold that day, and Edmund and I envied Natalie (Wood) and John Payne, who were watching the parade from a window."
Although the film is set during the Christmas season, studio head Darryl F. Zanuck insisted that it be released in May, arguing that more people go to the movies in warmer weather. The studio rushed to promote it while keeping its Christmas setting a secret. Fox's promotional trailer depicted a fictional producer roaming the studio backlot and encountering such stars as Rex Harrison, Anne Baxter, Peggy Ann Garner, and Dick Haymes extolling the virtues of the film. In addition, the movie posters prominently featured O'Hara and Payne, with Gwenn's character kept in the background.
The film opened in New York City at the Roxy Theatre on June 4, 1947. By contrast, modern home video packaging has Gwenn and Wood dominating the imagery, with the DVD release having Kringle in his Santa Claus costume.
O'Hara was initially reluctant to take the role, having recently moved back to post-war Ireland. She immediately changed her mind after reading the script and came back to the United States for the film.
Arthur Jacobson, assistant director, filmed the Macy's Parade on Thanksgiving morning with nine cameras simultaneously. He said he "plunked actors Edmund Gwenn and Natalie Wood in the department store cafeteria line during a weekday lunch-rush". When Maureen O'Hara requested a special police escort for a Christmas shopping spree through Macy's he said "I know New Yorkers. They aren't going to pay any attention to you. And don't wear a bandanna around your head or dark glasses. Just be normal."
The Christmas window displays seen in the film were originally made by Steiff for Macy's. Macy's later sold the window displays to FAO Schwarz in New York. FAO Schwarz then sold the windows to the BMO Harris Bank of Milwaukee, Wisconsin, where they are on display every December in the bank's lobby on North Water Street.
The house shown at the end of the film is a 1703 square foot single family home built in 1943 at 24 Derby Road, Port Washington, New York. The home looks practically the same as it did in 1947, except that the roof line has been altered by the addition of a window.
Rowland Hussey Macy, called R. H. Macy in the film, died 70 years prior to the film (in 1877), and the Macy family had sold its ownership of the company in 1895.
Throughout the process of getting this script accepted by the PCA, the movie underwent multiple different title changes, starting as My Heart Tells Me and then progressing into The Big Heart, It’s Only Human, Meet Me at Dawn, and finally ended with the name Miracle on 34th Street. These title changes all happened within a four-month time period. These title changes occurred while the filmmakers were fixing any other discrepancies that the PCA required them to fix before the production of the film could begin.
Accolades
The film won Academy Awards for Best Actor in a Supporting Role (Edmund Gwenn), Best Writing, Original Story (Valentine Davies) and Best Writing, Screenplay. It was also nominated for Best Picture, losing to Gentleman's Agreement.
In 2005, Miracle on 34th Street was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
In 1985, it became one of the first full-length black and white films to be colorized. The 4½-month process was carried out by Color Systems Technology, Inc.
In 1985, it became one of the first full-length black and white films to be colorized. The 4½-month process was carried out by Color Systems Technology, Inc.
In 1993, colorized version was released on VHS and LaserDisc, and was followed four years later by a "50th Anniversary Edition" on both formats, remastered by THX.
The first DVD release was in October 1999, featuring the B&W version alongside the original theatrical trailer and a TV spot.
In November 2006, it was re-released as a two-disc "Special Edition" DVD, with disc one containing an "all new colorized version" carried out by Legend Films. The second disc had the original black-and-white version and numerous extras, including The 20th Century Fox Hour's 1955 TV remake. Both discs also included a full-length audio commentary by Maureen O'Hara.

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