Biltmore Estate Circa 1895

Biltmore Estate Circa 1895, Asheville, North Carolina.

A historic house museum and tourist attraction in Asheville, North Carolina. Biltmore House (or Biltmore Mansion), the main residence, is a Châteauesque-style mansion built for George Washington Vanderbilt II between 1889 and 1895 and is the largest privately owned house in the United States, at 178,926 sq ft of floor space (135,280 square feet of living area). Still owned by George Vanderbilt's descendants, it remains one of the most prominent examples of Gilded Age mansions.

In the 1880s, at the height of the Gilded Age, George Washington Vanderbilt II began to make regular visits with his mother, Maria Louisa Kissam Vanderbilt, to the Asheville area. He loved the scenery and climate so much that he decided to build a summer house in the area, which he called his "little mountain escape". His older brothers and sisters had built luxurious summer houses in places such as Newport, Rhode Island, the Gold Coast of Long Island, and Hyde Park, New York.

Vanderbilt commissioned prominent New York architect Richard Morris Hunt, who had previously designed houses for various Vanderbilt family members, to design the house in the Châteauesque style. Hunt used French Renaissance châteaux as inspiration. Vanderbilt and Hunt had visited several in early 1889, including Château de Blois, Chenonceau and Chambord in France and Waddesdon Manor in England.

These estates shared steeply pitched roofs, turrets, and sculptural ornamentation. Hunt sited the four-story Indiana limestone-built home to face east, with a 375-foot facade to fit into the mountainous topography behind. The facade is asymmetrically balanced with two projecting wings connecting to the entrance tower: an open loggia is to the left side and a windowed arcade to the right, which holds the Winter Garden that was fashionable during the Victorian era.

The entrance tower contains a series of windows with decorated jambs that extend from the front door to the most decorated dormer at Biltmore on the fourth floor. The carved decorations include trefoils, flowing tracery, rosettes, gargoyles, and at prominent lookouts, grotesques. The staircase is one of the more prominent features of the east facade, with its three-story, highly decorated winding balustrade with carved statues of St. Louis and Joan of Arc by the Austrian-born architectural sculptor Karl Bitter.

Biltmore has four acres of floor space and 250 rooms in the house, including 35 bedrooms for family and guests, 43 bathrooms, 65 fireplaces, 3 kitchens and 19th-century novelties such as an electric Otis elevator, forced-air heating, centrally controlled clocks, fire alarms, and a call bell system. On the walls just outside the Winter Garden are copies of the Parthenon frieze. The Banquet Hall is the largest room in the house, measuring 42 ft × 72 ft, with a 70 ft-high barrel-vaulted ceiling. The table could seat 64 guests and is surrounded by rare Flemish tapestries and a triple fireplace that spans one end of the hall. On the opposite end of the hall is an organ gallery that houses a 1916 Skinner pipe organ. Left unfinished with bare brick walls, the Music Room was not completed and opened to the public until 1976. It showcases a mantel designed by Hunt, and a print of the large engraving by Albrecht Dürer called the Triumphal Arch, commissioned by Holy Roman Emperor Maximilian I. The mantel had been stored in the stable for over 80 years.

The second floor is accessed by the cantilevered Grand Staircase of 107 steps spiraling around a four-story, wrought-iron chandelier holding 72 light bulbs. The second-floor Living Hall is an extension of the grand staircase as a formal hall and portrait gallery, and was restored to its original configuration in 2013.

Several large-scale masterpieces are displayed in the hall, including two John Singer Sargent portraits of Biltmore's architect, Richard Morris Hunt, and landscaper, Frederick Law Olmsted, both commissioned for the home by Vanderbilt. Located nearby in the south tower is George Vanderbilt's gilded bedroom with furniture designed by Hunt. His bedroom connects to his wife's Louis XV-style, oval-shaped bedroom in the north tower through a Jacobean carved oak paneled sitting room with an intricate ceiling.

The third floor has a number of guest rooms with names that describe the furnishing or artist that they were decorated with. The fourth floor has 21 bedrooms that were inhabited by housemaids, laundresses, and other female servants. Also included on the fourth floor is an Observatory with a circular staircase that leads to a wrought iron balcony with doorways to the rooftop where Vanderbilt could view his estate. Male servants were not housed here, however, but instead resided in rooms above the stable and complex

The Billiard Room is decorated with an ornamental plaster ceiling and rich oak paneling and was equipped with both a custom-made pool table and a carom table (table without pockets). The room was mainly frequented by men, but ladies were welcome to enter as well. Secret door panels on either side of the fireplace led to the private quarters of the Bachelors' Wing where female guests and staff members were not allowed. The wing includes the Smoking Room, which was fashionable for country houses, and the Gun Room, which held mounted trophies and displayed George Vanderbilt's gun collection.

The basement level featured activity rooms, including an indoor, 70,000-gallon (265,000-litre and 265-cubic meter) heated swimming pool with underwater lighting, a bowling alley, and a gymnasium with once state-of-the-art fitness equipment. The service hub of the house is also found in the largest basement in the U.S. It holds the main kitchen, pastry kitchen, rotisserie kitchen, walk-in refrigerators that provided an early form of mechanical refrigeration, the servants' dining hall, laundry rooms, and additional bedrooms for staff.

Wikipedia

https://www. monarchstoneinternational. com/chateau- architecture-the-biltmore/