BIRTH OF ARTEMISIA GENTILESCHI


.


.


.

As one of the most daring artists of the Baroque era, Artemisia didn’t stick to “feminine” topics in her work.
Instead, her paintings lashed out at the world around her, with violence and anger, fueled by her rage at living in a society that set r@pists free ~ including her own.


In her testimony, she says~
“He threw me on to the edge of the bed,
pushing me with a hand on my breast.
He put a knee between my thighs to prevent me
from closing them.
Lifting my clothes, he placed a hand with a
handkerchief on my mouth to keep me from
screaming.
I scratched his face and pulled his hair and, before
he penetrated me again, I grasped his p3nis so
tight, that I even removed a piece of flesh.”

“I’d like to kill you with this knife because you have
dishonored me.”
She then threw the knife at Tassi, who dodged the blade.
Tassi, in his defense, called the teenage artist “an insatiable whOre.”

They wrapped ropes around her fingers, pulling them tight.
As Tassi watched, Artemisia gasped,
“It is true, it is true, it is true, it is true.”
No one considered torturing Tassi......
At the end of the trial, he was set free thanks to a powerful friend, the pope.

After the trial, Gentileschi left Rome behind for Florence.
There, she started her own studio and began painting her most famous work of art ~ the Biblical story of Judith and Holofernes.
In the story, a young widow sneaks into the warlord’s tent.
After plying him with wine, Judith b~heads Holofernes.

Artemisia also painted self-portraits, depicting herself as a martyr or a powerful, self-assured artist.
She devoted the rest of her career, to painting strong women.
The Tudor Intruders (and more)
.

.

Reacties
Een reactie posten